It's Time to Change the World One Step at a Time

Reprinted from StayThirsty.com



It was about 7:15am on September 11, 2001. I overslept by 15 minutes. Those extra minutes kept me from being at the base of the World Trade Center when the towers were struck. Instead, I watched from just across the river in New Jersey as the towers smoked like two giant chimneys and fell to the ground.


I will never forget that awful, acrid smell that surrounded the greater New York City area. I’ll never forget staring out the window long after dark, saying that the glow from the fires burning on the New York skyline looked like the gates of hell had opened.
Every year since 2001, one thought has dominated my mind: I have not done enough to justify the gift of my life.


This past September 11th was the 10th anniversary of that tragic day, and right around the same time of day that the second tower fell, I took Jessie, my four-year-old yellow Labrador retriever, in the car and we went hiking. Each and every minute of that day was not lost on me.
On our way to the trail, we passed a parade of gleaming fire trucks parked in front of the local cemetery for a memorial service, a little boy waving an American flag, and someone helping an elderly person into a wheelchair. I smelled fresh bread as we walked by the local bakery. And then, in a matter of minutes, Jessie and I were in the woods. It was silent and beautiful, and we were alone on the trail. All I could hear was the sound of leaves crunching under our feet and birds overhead.


Edward Everett Hale said, “I am only one, but I am one. I cannot do everything, but I can do something. And I will not let what I cannot do interfere with what I can do.”


So often in our lives we focus only on ourselves - bettering our homes, our financial positions, our jobs. And that is noble, but in so many ways, it is selfish. I started Walk4Good because I am tired of standing by and watching the world change in ways that make me sad, and almost embarrassed. I’m tired of turning off the news, disgusted with our nation’s politics, our growing national debt, our skyrocketing unemployment, the constant bickering, and the way, as human beings, we seem more likely to be violent than kind to one another. So often, it’s easier to swear at the person who cuts us in off in traffic than to simply let them pass. Let’s face it - the world is a tricky place. It’s harder to be kind than it is to be cutthroat. I’m tired of doing nothing, of expecting someone else to change things, of assuming if I don’t pick up that piece of trash on the sidewalk, someone else surely will.


I know I am only one person. And I know that I alone cannot change the world, but I can change some of it. This is why I founded Walk4Good, a non-profit organization whose primary mission is to inspire and empower people to practice kindness and to pass acts of kindness onto others.
Walk4Good is literally, and figuratively, a step in that direction. Jessie and I will walk the 2,180 miles of the Appalachian Trail in a grueling thru-hike beginning June 15, 2012. The hike will last six months in the hope of finding 2,180 people willing to make a dedication to practice an act of kindness. We will walk through wind and rain and swarms of black flies. We will sleep in a tent and give up nearly every creature comfort for six months with the singular hope that, while we might not be able to change the world alone, together we can make a tangible difference and make helping others second nature, something you do without being asked.


So please join Jesse and me. We need 2,180 promises to help someone else by paying-it-forward. My goal is to secure one promise for every mile that we walk. There is no fee for making a dedication on our website, and you’ll not only help make this world a better place, but you’ll also help me realize there was a reason why I slept late on 9/11/01.
Links:
www.walk4good.org
Facebook: walk4good
Twitter: @thewalk4good

The Secret Keeper





Shadows wander across the dark furniture in slanted lines, stretching to cover the entire front hall before the midday summer sun begins its slow rotation.  Fresh lilacs drape the air with a heavy fragrant scent.  Littered in the center of the large Persian carpet are various shoe-shaped imprints and my steps add to the odd arrangement. 

A woman sits behind a polished mahogany desk in the right corner of the expansive room.  She shoves aside her unruly gray bangs, smiles sweetly in my direction.  I give her my name and cross an oblong shadow on the carpet.   After choosing the middle of three straight-backed chairs, I sit down and wait, although I have no idea who I am waiting for. The latest gardening magazine beckons to be read and I succumb to its charms, not because of my green thumb, but because it’s the first on the pile.  Instead of reading up on the most popular eco-fertilizers, I vacantly stare at the smoke-tinted French doors and wonder about my first-time elderly companion.  At 25 years old, I realize I should possess the fine-tuned ability of taming reveries, but I don’t.   From the depths of my imagination, I envision an elderly masterpiece:  A woman too old and decrepit to speak complete sentences, too senile to remember her own name and too degenerated to urinate without the aid of a catheter... 

A noise startles me so much I lurch forward and the gardening magazine slips from my lap to the floor.  Phyllis the receptionist dropped a large black binder.  Instead of speaking, she smiles again in my direction.  I bend over and replace my magazine to the pile of other ignored periodicals and squeeze my eyes shut, asking myself why I volunteered for this program to begin with.  A crusty old lady is the last addition I need in my life right now.  Simplify, that’s what I keep telling myself.  The muzak distracts me and I try to relax.

“Excuse me, Ms. Michaels, I am sorry to disturb you, but you can go in now.  Last door on the left.” Phyllis is smiling again. Does she ever not smile?  I rise.  Phyllis moves a gray wisp from her eyes before giving me a slight push.  She whispers, “Don’t worry, love, Mrs. Hathaway will surprise you.”

When I reach her room, I try to peek in without anyone noticing me.  Mrs. Hathaway wears a royal blue silk bathrobe and gently rocks in a white wicker chair.   She faces the rustic country view while sipping iced-tea.  Her back is straight as a rod and her shoulders square.  I notice her shining white hair is coiled perfectly into a bun at the base of her neck.  She moves back and forth and stares out the window.   I stand for nearly a minute deciding whether to bolt or not before she realizes my presence.   Draped over the two remaining seats are colorful quilted blankets.  Well-worn classics ranging from Shakespeare to Chekhov line a small bookshelf.  Freshly picked flowers in an intricately sculpted alabaster vase sit atop a crocheted lace trimmed doily on her nightstand and several black and white pictures of two smiling little boys hang next to her bed.

Just as I decide to make a run for it, she turns and glances up at me with a mild expression of curiosity.  A liver-spotted hand emerges from a blue sleeve and waves me in.  I step forward, catch her gaze and say unsteadily, “My name is Cameron, and I’d like to talk with you, if that’s okay.”

She replies in a soft, commanding voice, “I am Mrs. Hathaway and of course my dear.  Please sit down.  We do have much to talk about.”
­­­–––

The following months flow much like the tides, often soothing, sometimes stormy. Instead of dreading my time in a convalescent home, I begin to treasure the hours once a week we spend together. I never really had grandparents and Mrs. Hathaway is the kind of person I can say anything to without fear of judgement. I actually try, unsuccessfully, to shock her. I find myself telling her all my fragile dreams and my deepest secrets.  As I talk, she rocks in her white wicker chair, listening intently. After several months, I realize that one of my best friends has become a 92-year old woman, but I still know very little about her. Every time I ask her to talk about her life or her past, she changes the subject back to me. Once, I get up the courage to ask her about the two smiling boys in the photos next to her bed.


She responds, "Strangers. They are strangers to me now."

Four months after I begin visiting Mrs. Hathaway, everything changes. It’s a beautiful warm, clear day, and I can’t wait to take Mrs. Hathaway outside to the yellow chaise lounges for some fresh air.  But instead of seeing her knitting as I normally do when I arrive, she’s rocking to and fro, talking intimately to the open window.  I stand in the doorway and listen, not wanting to disturb her.

“There used to be a white house on the right side,” she says, motioning to the window like it’s a long lost companion.  “Do you see it?  The one with black shutters and guest house off to the side.  Salt Marsh Road banks softly to the left.  Above the small hill is a bridge.  It marks the beginning of the salt marshes.  Just to the right beyond the marshes is the house all alone, facing the water on its own point. I have always noticed the sand around it is mostly purple with browns and beiges of normal sand mixed in.  An odd combination for sand in these parts, don’t you think?  No, not exotic really, just different.  Very beautiful indeed.”

Her hands flutter around her face and she’s almost leaning out of her chair.  I consider coughing or clearing my throat, but before I’m able to do either, she straightens and continues. “People around here knew the couple who lived in that house,” she whispers to the window.  “The woman is mad, they say.  One of her sons was killed in a convenience store robbery.  He was 17, just 17.  Her other son died in a car accident three years later.  He was only 16.  Everyone said the younger was her favorite.  But he wasn’t.  They both were.”  Mrs. Hathaway’s voice shakes as she speaks.  She rises from her chair and resumes the tumble of words, still with her back to me.  

“When the younger son died,” she explains, “the woman vowed never to leave the house again.  Not even to walk on the beach.  Because of that, people were convinced she was crazy.”

Her head jerks suddenly, hair comes loose from her bun, and she immediately straightens her shoulders.  She crosses her arms and draws the blue robe tightly across her back.  I don’t even realize I’m holding my breath.

“Did you know,” she says, “when there’s a bad storm that particular house gets hit harder than any other house on the waterfront?  I don’t care.  I never cared.  The storms were beautiful.  Beautiful and powerful. We always rebuilt it.  We rebuilt because I always had to stand on the porch and taste the sea.  We rebuilt it because I had to dream of making love once again on the purple and beige sand.  We always rebuilt that house because in the music of the waves, I could hear my sons laughing.  Yes, I’ve always loved that house.  But now I’m here, thinking of that place.  Sometimes I sit in this room that I will die in and I wonder if my children can see me, because I can’t hear them laughing anymore.”

Mrs. Hathaway stares out the window lost on her own world, in her own past. I stand up, hoping to sneak away unnoticed. The floorboard creaks slightly and Mrs. Hathaway’s head swivels around.  Her mascara has run and her foundation is gone around her eyes and nose.  But her shoulders are still square underneath that royal blue bathrobe and her arms rest lamely at her sides.   

When she spots me standing in her doorway, she sighs, looks almost relieved.  Taking a tissue from the pocket of her robe, she smiles but the smile never reaches her eyes.  In a tired voice she says, “We’ve chatted Cameron and I didn’t even realize it.  Now you know all my secrets.”

I nod and try hard to gather myself.  “No, there is one other thing I don’t know.”

“What’s that, my dear?” she asks.

“Your first name. I don’t know your first name.”

“Siriana,” she whispers. “My mother used to call me Siri, which means secret. I always wondered if my mother knew something even then.”

As I turn, I see her take the pins from her hair.  In one shake of her head, waves of white hair cascade down her back.  Heading down the hallway toward the French doors, I wonder how many secrets we can all hold deep inside.
–––
The small hill and the bridge mark the beginning of the marshes.  Just at the end of the bridge on the right, is a paved opening that leads to a steep drop.  Carefully sliding down, I make it to the base of the bridge about 10 minutes before sunset.  I take off my shoes, drop them near the no trespassing sign and walk.  I walk as the beach curves right and water fills in to the left.  I go as far as I have to and sit with my feet tucked under me in the sand. 

Looking down at the photograph in my hand, I make sure I’m in the right place before proceeding. I know I’m standing on Mrs. Hathaway’s beach.  The image in my hand is of the sun setting above a white house with shutters open and the ocean looking magnificent off to the left. In the picture is Mrs. Hathaway with her arms around two smiling boys.  I received the picture this morning, along with a brief explanation from Phyllis letting me know that Mrs. Hathaway died of heart failure yesterday, a few hours after I left her room.  According to Phyllis, Mrs. Hathaway walked into the reception area moments after I left and specifically instructed Phyllis to give me the photograph today.  On the back of the picture in precise cursive is written: Thank you for walking the beach for me. You are my secret-keeper now. –Siri  I accept those words as a direct command, and I know she had meant them to be.           

Beaches in this small tourist town are unique, and I’ve missed them desperately.  The sun will never rise or set on the water.  Instead, it chooses to go left to right.  A soft breeze glides off the water and the sky is streaked with all the colors of day and night whirled together.

Facing the white house on the point, I secretly want Mrs. Hathaway to emerge.  I imagine her standing on the jagged point with her head tilted to one side, straining to hear whatever voices talked to her and her alone.  While I stare at the empty weather-beaten house, the orange-red sun virtually rests on the highest peak of the roofline for nearly a minute.  Briefly, I scan the house for some sign of life, but nothing seems to move and the black shutters are closed.  I sit in the cooling sand, until the joggers and couples fade out of sight, until the street lights above the road click on.  I listen, half hoping to hear her voice on the waves. Who will I talk to now? Who will be my secret keeper? Instead, I hear the crickets and the waves, the tall grass shifting and gulls passing overhead. I stand up and brush the sand off my legs and I swear that somewhere within the depths of the waves, children are laughing, and so is Siri.           

Good Morning. I Am Here.


The smell of the orange fills the room and I am suddenly covered in mud, in sand,
in bones and bits of trees growing from my limbs.
If I stand still long enough will I turn stiff and timber-like?
Will a bird land on me and think I am home to him?
The sunset sucks the juice from the orange and the blueberries
so that when I chew I taste nothing but the dirt.
That’s where I will end up anyway - brown and yellow adjacent to one another
in the earth, in the sand, in the stranger’s deadened eyes
as I pass by pretending not to notice
but noticing enough that it bothers me to my core.
This is why I love convertibles and classical music with the windows rolled down.
The leaves may fall and the wind may blow but my soul can rise up like a phoenix from the ashes and fly free into the blues and the yellows and the sunshine again only to scream at the top of my lungs:
“Good Morning. I am here.”

Edge of the Earth



Wanda's greatest fear is that goddamned one-legged bird missing breakfast.  Each day at precisely 6 a.m., Wanda rises from bed, wraps herself in her old, ratty purple robe, puts on her rose colored glasses (really, they are rose colored) and looks for the bird on the deck railing.
“If he doesn’t show up it might mean he’s dead,” Wanda says out loud to the empty kitchen. “If he doesn’t show up it’ll mean that useless freeloader- you know, the healthy one with the big beak- might’ve finally done him in. Poor goddamned bird.  How will he survive without me feeding him? He does like his eggs. Fried eggs over easy with two slices of bacon. Never sausage. Once I gave him sausage. He threw it up in the air and squawked all day.”
7 a.m. and the bird still hasn’t shown. I’ve got to get myself a hobby, she thinks, twirling her gray hair over her fuchsia finger nails, staring at the railing where the bird usually sits. There are flights to Reno. Flights loaded with men, and they’ve got money. They go to gamble and play golf. I should spruce myself up and sit on that plane.  Back and forth. I could go just to find a husband. That would take my mind of this goddamned bird.
She walks from the kitchen to the upstairs in the living room, staring out a large picture window overlooking the Bandon Lighthouse. The fog is so thick you can cut it with a knife. It’s like living on the edge of the earth, she tells all her guests when they arrive at her bed and breakfast. When her guests complain about the fog, Wanda tells them, “What do I look like, Mother Nature? It’s foggy, BFD. So scrap your walk on the beach, find a bar and drink. It’s about all you can do in Bandon, Oregon. You can't even buy a pair of underwear here.”
Maybe that's where that damned bird is, she thinks, buying a pair of underwear for her. God knows she needs a few new pair- ones where the elastic isn’t shot. Put that on the grocery list- underwear and eggs. That goddamned bird goes through two-dozen eggs a week. Eats me out of house and home. It’s not right for a bird to eat eggs with such gusto. Its like me gnawing on an infant’s arm just because I’ve got a hunger pang. Oh, what the hell's the sense of wondering anymore. It’s late and the day is already shot. Time for a nap. The bird will come or he won’t. “It's that simple,” she says, sighing into her purple bathrobe.
Just as she walks into the bedroom and takes off her glasses, the seagull sets down on the railing.

The Timeline

This was published originally by the Survivor's Review in 2010 and was written for and about a close friend who suffered from cancer.


Sometimes it’s a burden being the only person who knows where you actually are.”



5:15 a.m.
We sit huddled on the beach, shoulder-to-shoulder, sand between our toes, wrapped in the bedspread that we just dragged outside with us. I want to see the sunrise with you. I want to feel you near me as we tip our heads back and drink up the first light the morning has to offer. The sky is wispy and pink with the light July breeze reminding us that later in the day, it will be blazing hot. For a moment, I wonder what you are thinking and almost nudge you to ask. Instead, I gently rest my head on your shoulder and feel you lean into me.

Sometimes it’s a burden being the only person who knows where you actually are. I don’t mean like on the corner of Lexington and 41st, I mean where you really are in you mind, in your heart, in your soul. I never asked for that kind of power. I never really wanted that knowledge, yet here I am. Here we are.

8:46 a.m.
After we eat a light breakfast and drink the remainder of the coffee, I insist we take a walk in the woods behind the cottage, even though you protest the walk with your eyes, giving me that exasperated “oh please not now” expression. Undeterred, I march out the back porch of the house to find a narrow trail amidst the evergreens. Wanting to keep the peace, you good-naturedly follow, smiling at our non-verbal banter. The morning light filters softly through the treetops and I notice a young red-tailed hawk to our left. Excited, I turn to point out the hawk to you, but my breath catches in my chest when I see the way you are looking at me. Your eyes have always stopped me cold, and today is no exception. During our walk, we take turns leading, changing the pace and stopping to look at chipmunks or perfectly spun spider webs. You trip once on a stump and we laugh at your clumsiness, even though I’m more worried that you are beginning to tire. After about an hour, we turn back, both of us sweating and thirsty. I’m relieved when you pick up the pace considerably, knowing there is a cooling swim at the end of the line.

11:47 a.m.
We race to the beach (I win) and peel off our clothes, sprinting into the sharply cold water. We laugh, giddy in the coolness and the perfection of the day. After our bodies grow accustomed to the water, you swim over to me. I watch as you inch closer to me, the butterflies in my stomach jumping without warning. We stay like that, for what feels like an eternity to me, inches from one another, staring wide-eyed. I feel the electricity of your body through the water and want to curl up inside your soul. I watch the water run down your tanned face and marvel at how a droplet of water could stay so perfectly still on your eyelash. You lean into me and touch my lips with yours. Salty. Cool. Electrifying. I sigh and forget we are even in water.

4:19 p.m.
You are lying on your stomach, the sheet barely grazing the top of your thigh. I can still smell the salt water in your hair. Your left arm is over your head, but you are turned towards me, quietly looking at me with so much love and desire I have difficult time breathing. Your skin is so soft, so smooth, I run my hand over and over again from the base of your neck to that amazing curve in your lower back. Each time, my hand drifts lower and lower and I can feel your body respond and arch towards me. You slowly rise up on your elbows and turn towards me, gently rolling me over on my back. I let you place your weight on me, and close my eyes as you lower your head and kiss my neck, my throat, my lips. I want to feel you, all of you. I lean up towards you, into you and taste your kiss. Each minute pulls me deeper and deeper into you. It’s you I want, have wanted for so long that the power of our love shakes me. I have to concentrate. I have to let this go slowly and memorize it all. The first word I speak all day is your name. Over and over again until you know for certain, this need to be near you is not because I know I am losing you.

You are dying and it’s too much for me to take. It’s impossible for me to comprehend that a small tumor on your ribcage has turned into this-- this last weekend, these final moments before the cancer eats away your body and our love.

6:47 p.m.
I left you sleeping in bed. When you wake up, I know you’ll be starving, so I focus on making dinner. I open a bottle of red wine even though I know you’re not supposed to be drinking. What the hell, either the cancer will kill you or a glass of red wine will do it. If it has to happen at all, I vote for the red wine, especially after a day like this. I put on some music- Brandi Carlile. I sauté vegetables, make brown rice and a salad. I set the table outside with flowers and I sit down to write you a note, you know, the kind of note you bury with someone, the kind of note that lasts an eternity.

I try to write but the words don’t come. The pressure is too much. How do I tell you about deepness of my love? How do I explain this urgency, this heat, this unrelenting connection? I sit for a few minutes and scribble a sentence or two, only to cross them out. It’s a burden being the only person who knows where you actually are. Loving you is a burden and I wish I could walk away and save myself the pain, but this isn’t about me. Loving you is the only thing I’ve ever done right. When you are gone, the sky will never again be this shade of blue. The breeze will never feel this warm, and I will never feel so complete.

Suddenly, I feel your hands on my shoulders and I relax. I lean back into you and sigh. You bend forward and whisper in my ear, “Don’t write it. I already know.” You kiss me lightly on the ear and ask me what’s for dinner. 

The Torn Place in the Sky


Upstairs in Mama’s bedroom, it still smells like blood. Faintly metallic, rusty, stale. Mama’s things are thrown all over the floor. The tortoise brush lies shattered in the corner of the room. The stains dried on the jade green bedspread. Tiponi sits in the corner watching her breath trail over her head and waits for the house to tip on its side. It will swallow her up like it did Mama. The wanting, the needing better things than the other Indian women, the feel of fine silk on her legs finally ate Mama alive. The life by the river never satisfied her. Fine things come with a price and Mama made her daughter pay those debts to the house. For as long as she can remember, Tiponi’s sole existence was to serve the house, and she knew nothing of a life beyond it.
The old ones thought the blue house unnatural, mostly because of the women within it. Iroquois were known for loving the white life, but not the Huron. A Huron woman would not choose to live white, to wear fine clothes, furnish the home with meaningless trinkets and sell herself to anyone who would pay. A Huron woman would not build a house without a man and have the audacity to paint it blue, the color of the May sky.
Even still, the blue house on the corner of Stitch Road had plenty of visitors, although none of them talked much. Men mostly, but some women came too; they always slipped in the back door. When Mama was beaten and stabbed to death because she charged extra for the second blow job, they all stopped coming. Two weeks after her death, when the first frost had blanketed Mama’s fresh grave and the fields, Grandmother Silwa went to her daughter’s grave one last time, then walked West, naked, to the river where her ancestors waited and did not return.
The house creaks against the January wind. Grandmother Silwa’s spirit talks
quietly to Tiponi while the young girl sits in her Mama’s bedroom, waiting patiently for the orders that will never come. Grandmother Silwa whispers gently, recounting their people’s story of the good brother and the bad brother who fight each other using a bag of corn and the horn from a deer as weapons. The badgers and the frogs sit with Tiponi and watch with her as the story unfolds as if it is the first time they have heard this story too.
Tiponi leans against their warmth as her Grandmother’s voice echoes from somewhere just beyond the edge of the room, recounting this battle between good and evil, between life and death. Mama joins in the battle, swinging a bag full of corn, her ribs popping out from under her yellow skin, her face churned into a grimace. Tiponi waits for Grandmother Silwa to interfere, to pull her Mama away from the fighting, but Grandmother Silwa is long gone, past the eagle’s land to a place Tiponi cannot reach.
“Maybe that’s what I will do,” says Tiponi aloud in the empty room, while she picks absentmindedly at a scab on her knee. “I will walk west into the water. Walk west where Grandmother Silwa tells me all the Huron spirits go and live forever. Grandmother Silwa will be there, sitting at the bottom of the river, talking to the turtles. They will listen to her stories. Everyone listens to her stories.”
Tiponi closes her eyes and imagines laying her head in Grandmother Silwa’s lap, like she did as a little girl. She can almost feel her grandmother stroke her hair and sing to her of the torn place in the sky.
---
The last time Tiponi looks at the sickening baby blue house she’s standing at the edge of the gravel driveway, her chest heaving, her lungs hurting from the early winter cold. She stares at the house steely-eyed, sizing up her enemy, waiting for it to make its move, expecting it to lift itself off the foundation and pull her back inside. The house she hates does not budge. Its white shutters unblinking, its large oak double doors curving into a slow, wide smirk as if to say, “You will not stay away from here for long.”
Stitch Road is silent for a moment, cold and silent, watching Tiponi make her first independent decision. No hawks or crows, no wind, nobody yelling in the house on the corner or the shacks down the street. No men shuffling along to pay a visit. No muffled crying from within.
In its day, Stitch Road was a busy thoroughfare to town. Four thousand people made this place by the river and mountains home, by force or by choice. Iroquois settled here mostly, some Algonquins and Hurons, and even a few Chinooks who came east when the salmon chose not to let the nets take them. Little by little, the old women died, defeated and lost. The men, without their mothers, left drunk and hunched over, to shacks built on other people’s homelands. Now, Stitch Road is a single stitch on the land’s curving breast. The only remaining squatters are the scavengers and the pests– foxes, buzzards and fire ants, and they stand at attention as Tiponi flies past, her long braid rolling from shoulder to shoulder as she runs.
            She runs down the road, dirt trailing in a cloud behind her, legs pulling, arms propelling her farther and faster. Away. In this moment, Tiponi finally understands the meaning of leave– of never come back. The last time she tried to run, it was mid-summer when the warm breeze and the smell of the river made everything feel open and flowing. She left at midnight when the moon was full, but only reached the outskirts of town. That time, Mama caught up to her in their old Ford pickup. As she drove both of them home, she held her only child to her chest, whispering to her or to some spirit behind the wide-eyed moon, “You are my daughter. My wind-song girl. When you were born, you would not breath. Grandmother Silwa pushed air into your lungs and you sang your first song, long and clear. My daughter, you are all I ever done right in this world.”
---
            Grandmother Silwa has eaten the last of the pole beans. She has forgotten the time or the day and has not bathed in so long that her hair is matted to her head, and even she can smell herself– the dank odor reminding her of the caves near the creek where the wild men are. She dreams the great turtle has swallowed her, eaten her whole where she lives forever in its stomach with no one to talk with or sing to. She looks up and no longer sees daylight, but something else, farther away than the sun where nothing grows but the nothingness. In this place, the deer turn to dogs, the hawks into slugs. The water pushes hard against the sky to raise it up. Silwa stops wandering and stands tall, knowing that none of her ancestors have ever seen it so.  The old ones often spoke of the place in time when all that is great and unknown in the world would force itself upon the people and crush them.
Soon, the milky white sky turns a pale shade of blue while Silwa scrapes the dry earth in search of something to eat. The sky turns deep blue, dark blue, then the clouds shift behind the mountain. Silwa believes it is the first time anyone has seen the sky talk to the water, and she is the first person to witness it. Excited, she begins to walk west, toward the high mountain place. When she finds the old ones, they will rejoice because in their lifetime someone has seen the sky and the earth talk, and it will be her, small Silwa of the creek.
A whining, crying sound stops Silwa in her tracks. A whimpering really. Silwa sits in the dirt and tries to force the sound from her mind. “Stop. Stop. Stop!” she cries to the sky, clutching her head with filthy hands. She knows this sound. Recognizing it from somewhere so far beyond, it rests at the fringes of her memory. The crying becomes more demanding, more insistent. Silwa looks up to the sky, and it cracks down the center, the dark blue giving way to a familiar blackness. From deep within, she vaguely sees a girl that looks like her own granddaughter on her hands and knees, crying in the middle of a dirt road.
Silwa sighs as she watches the young girl’s shoulders heave. She knows now that she will not go to her ancestors so that they may rejoice in her vision. Instead, she begins to climb back into the torn place in the sky. Tiponi hears a humming in the distance. She raises her head and wipes the tears from her eyes. Straining to see the figure walking toward her, Tiponi picks herself up and begins to run toward the old woman, her Grandmother, finally feeling as though everything will be all right.
           
           
            

A Mimi Named Julia



It was almost exactly a year ago that I stood before many of you eulogizing my grandfather, Louis. Now, here we all are to say goodbye to my grandmother, Julia. My parents and I would like to thank each of you for your support during this very difficult time, and we would like to thank the truly caring and wonderful staff at Apple Rehab for making my grandmother part of your lives, and your families. I know that you welcomed her into your hearts and cared for her as you would your own mother or grandmother. It did not go unnoticed by my parents, by me, or by my grandmother. Thank you.
When thinking about what to say today that would paint a picture of my grandmother, and her life, I realized that to me, she was always a bit of an enigma. Maybe it was the glint in her eyes, or the proud way she held herself. Maybe it was that one moment she said just what you needed her to, and the other moment she was stubborn as a pack of mules. Whatever the reasons, I stand before you all today blessed that I was able to spend so much time with her, and also wishing I had more time to figure her out.
One thing I never quite figured out was the Blue Room. Some of you may recall my grandparents’ house in Higganum, CT. The Blue Room was literally ALL powder blue, and was the decorating brainchild of my grandmother. The sofas, the rug, the throw pillows were all the same exact shade of powder blue, and the room was absolutely off limits for anyone to actually use. If you remember that room, you might also remember the clear plastic that covered everything a human being might actually come in contact with. Once when I was about 10, I thought I’d play a joke on my grandmother and lay on the forbidden blue couch. Let me just say that it was summer. It was hot, and I was wearing shorts and a tank top. After five minutes, I felt as though I had been duct taped to the plastic. The joke was on me.
One of my grandmother’s best qualities was her sharp sense of humor. She loved my father like a son, and she loved that he would joke around with her as much as she did with him. She also was so proud at how my father could build or fix anything, although she tried for years without success to organize his garage workshop.
Sometimes she was a source of great amusement for everyone, even without really trying. My mother recalls sitting in the back seat of the family car with Ralph as my grandfather taught my grandmother how to drive. Practicing in an empty parking lot, my grandfather told her to go left, and she turned right. He told her again to turn left and she turned right. After driving in circles, my grandfather lost his cool and said, “Julia! I said go left!” She replied, “Louie, I am!”  He also told her to beep her horn if she saw something in the street ahead of her. She took this quite literally, and frightened a young boy so much with the blare of her horn that he smashed his ice cream cone right into his mouth and ran.
There was also the year that my grandmother dressed up for Halloween as a clown. She rang the doorbell at her parents’ house while my mom and grandfather hid in the bushes. So convincing was her costume that when my great-grandmother answered the door, she had no idea who it was and she slammed the door in her face. In between bouts of hysterics, she rang doorbell several more times only to have it slammed in her face. Finally, my great-grandfather opened the door and told her unceremoniously to go home, that there was no more candy and it was too late to be out trick-or-treating!
My mother also learned the secret of Christmas Club shopping from my grandmother. For those of you who don’t know, a Christmas Club is way to save up some money throughout the year for Christmas gifts. Except in my grandmother’s book, no one ever said that those Christmas gifts couldn’t be for yourself. Some of my mother’s best memories with her mother included these shopping sprees, where they would spend the day out together, shopping and having lunch. When they arrived home with bags of items, maybe one would be for my grandfather or someone else in the family. I have since learned this same skill.
My grandmother also taught me the importance of appearance, and more specifically, wearing makeup. When I was small, I used to sit in my grandmother’s bathroom and watch her apply her makeup so often that I had memorized the steps. Again and again, she would try to trick me - put on her mascara before her eyeliner – or blush before foundation - and I would yell at her that she was doing it all wrong, and we would laugh. My grandmother told me once that it didn’t matter how old you were, that you should always take pride in your appearance. I often marveled at how nice she looked in the nursing home. Even if she wasn’t feeling well, she would dress up and fix her hair and makeup, no matter how long it took her. I know she did it because if she looked good then it would transcend into her feeling good. Within that daily routine was her will to live. It served her well, between that and genetics, she hit 92. And for those of you women in the room who always marveled how few wrinkles she had on her face, my grandmother gave me permission before she passed to give you all her two beauty secrets: one – stay out of the sun and two – Pond’s cold cream every night on your face and neck. 
Singing, if you can call it that, was another one of my grandmother’s favorite past times. I’m sure many of you recall my grandmother cheerfully belting out Happy Birthday as off key as possible. Her sister, Aunt Josie, did the same thing, so perhaps that’s a Mirando trait. They used to sing duets and that was enough to shatter windows. The more off key her voice, the more she loved you. I never could understand how those two things were related, such was the enigma that was my grandmother. One moment you thought you knew her, and the next, she was a mystery.
Now that my grandmother is gone, the title of the family’s slowest eater passes to my cousin, Paul, with her blessing. For as long as I can remember, at every family meal, my grandmother was the last one left eating. She ate slowly and with great purpose and could care less if she was the last one at the table. I think she was quite pleased when we all realized Paul ate as slowly as she did. She finally had company when everyone else left! One of her more memorable birthdays, we had taken her out to brunch buffet and a boy in our neighborhood was the waiter. After he saw most of us finish our meals, he lit the candles on her cake and proudly walked to the table. We waved him off. He blew out the candles and ran back to the waiter’s station with the cake. He waited a few minutes and tried again. We waved him off. He did this three, maybe four times before my grandmother finally finished her Eggs Benedict. By the time the cake arrived, the candles were almost totally melted into the cake.
One of the biggest mistakes I ever made was to point out to my grandmother that we all had blue eyes except her and Sam. By we, I meant my dad, mom, grandfather, me and even our Siamese cat Charlie. Sam was our black Labrador retriever, who had brown eyes. Even though we laughed at that for years, she never quite forgave me for comparing her to the dog, although she did love that dog, and she absolutely loved animals. Recently, she took great pleasure to learn that my yellow Labrador retriever has been chosen by an animal talent agency to do commercials and even possibly television. She absolutely loved this, and loved the idea that the dog could possibly make some money, and that my mother has been lobbying to become my dog’s official manager. Just before she died, she was lobbying to take a split of the manager’s role from my mother.
As a child, I never realized how extraordinary she really was. My grandmother was educated, and for her time, she was quite modern. She worked full-time and became a manager in an era where women didn’t oversee much other than family. She did both, and always did so with grace and with style. She loved to hear stories about my work, and was very proud when I told her I was starting my own business. She told me she always wanted to have her own business and be her own boss. And, she believed fervently in keeping one’s mind sharp. I barely have the patience to do one clue of a crossword, and at 92, my grandmother would power through the crossword puzzle every single day without fail. She was, right up until the end, sharp as a tack. And trust me, she never missed a trick.
She worked extremely hard, but she liked to have fun. She loved to play cards with my aunt Betty and Uncle Ralph. During some of our more serious conversations as she aged, she made us promise to leave her with a deck of cards for the ride. “Who knows, there might be plenty of time to play with Betty, Ralph and your grandfather and I’d like to be prepared,” she said.
I’d like to think she’s sitting in the kitchen with my grandfather, my aunt Betty and Uncle Ralph, playing a round of Gin Rummy with a glass of Southern Comfort in her hand. There’s a tray of lasagna cooking in the oven with a pot of sauce bubbling on the stove. Music is playing on the radio. I can see them sitting around the table laughing and throwing their hands up in the air. When my grandmother wins the hand, I can hear my grandfather complaining that she cheated, and I can see that elusive smile on her face where you just aren’t quite sure if she cheated or not.
May we all live to play the hand that my grandmother played, and may we all live our lives as she did: with dignity, humor, pride, and a little bit of mystery.
Thank you.